Photo: Carla DeSantis
*A version of this blog post was originally published by Editors' Weekly, the offical blog of Editors Canada, 26 May 2020.
I still yearn for my “Summer of Reading.” It was the summer after grade 8—that awkward age when you are too young for a job, too old for some camps—and I had the now-longed-for luxury of time. I consumed a large number of books, lying on my bed reading V.C. Andrews’s creepy Flowers in the Attic and afterwards racing to the store with my friend to get the second book in the trilogy, to quench our thirst for more. Lounging in my screened-in porch, I dug into S.E. Hinton’s The Outsiders and devoured To Kill a Mockingbird while sitting under a tree. Not all of them were classics but popular YA choices from a certain decade. It was glorious.
"Click. Add note to replace text. Add text box with notation for typesetting. Strike through text. Insert correct source at cursor." I am working in Adobe Acrobat on page proofs, preparing them for publication with a university press. I have been invested in this project from:
A Different Kind of Manuscript
Twenty years ago, however, you would have found me in the venerable Biblioteca Ambrosiana in Milan or Biblioteca Statale of Cremona in Italy, perusing a different kind of manuscript – ones written by hand on vellum or parchment paper in the late Middle Ages. I imagined a life of research, studying the written treasures hidden within the pages of such medieval manuscripts – accessible only to those trained to read the cryptic script and qualified to handle the fragile pages – and teaching Latin to university students. How did I end up working on modern books, on digital platforms, for other scholars?
I am Carla DeSantis, and welcome to my blog! I love language and words and books, and have turned this love into a business, helping others to perfect their written message.