This week I began a lengthy editing project, copyediting a critical edition of a medieval Latin text, accompanied by its English translation—a completely satisfying, challenging, and enjoyable job that is reminding me of my previous experience with medieval manuscripts (see my previous blog) and writing my own critical edition. This work makes me ponder, once again, the connections between copyediting and manuscript editing, which consists of transcribing the ancient script; choosing, eliminating, or editing the readings of various manuscript witnesses; and finding the sources on which the text may have drawn, in order to bring the text into readable form for the modern reader. What are some of the skills necessary for editing medieval Latin manuscripts and how have they informed what I do today when copyediting academic materials and bringing these texts into more readable form for my clients?
"Click. Add note to replace text. Add text box with notation for typesetting. Strike through text. Insert correct source at cursor." I am working in Adobe Acrobat on page proofs, preparing them for publication with a university press. I have been invested in this project from:
A Different Kind of Manuscript
Twenty years ago, however, you would have found me in the venerable Biblioteca Ambrosiana in Milan or Biblioteca Statale of Cremona in Italy, perusing a different kind of manuscript – ones written by hand on vellum or parchment paper in the late Middle Ages. I imagined a life of research, studying the written treasures hidden within the pages of such medieval manuscripts – accessible only to those trained to read the cryptic script and qualified to handle the fragile pages – and teaching Latin to university students. How did I end up working on modern books, on digital platforms, for other scholars?
I am Carla DeSantis, and welcome to my blog! I love language and words and books, and have turned this love into a business, helping others to perfect their written message.